（满分）北语17秋《阅读（IV）》作业3

小薇老师

1.  There are of course, the happy few who find a savor in their daily job: the Indiana stonemason, who looks upon his work and sees that it is good; the Chicago piano tuner, who seeks and finds the sound that delights; the bookbinder, who saves a piece of history; the Brooklyn fireman, who saves a piece of life ... But don't these satisfactions, like Jude's hunger for knowledge, tell us more about the person than about his task? Perhaps. Nonetheless, there is a common attribute here: a meaning to their work well over and beyond the reward of the paycheck.
For the many, there is a hardly concealed discontent. The blue-collar blues is no more bitterly sung than the white-collar moan. "I'm a machine," says the spot-welder. "I'm caged," says the bank teller, and echoes the hotel clerk. "I'm a mule," says the steelworker. "A monkey can do what I do," says the receptionist. "I'm less than a farm implement," says the migrant worker. "I'm an object," says the high-fashion model. Blue collar and white call upon the identical phrase: "I'm a robot." "There is nothing to talk about," the young accountant despairingly enunciates. It was some time ago that John Henry sang, "A man ain't nothin' but a man." The hard, unromantic fact is: he died with his hammer in his hand, while the machine pumped on. Nonetheless, he found immortality. He is remembered.
As the automated pace of our daily jobs wipes out name and face—and, in many instances, feeling—there is a sacrilegious question being asked these days. To earn one's bread by the sweat of one's brow has always been the lot of mankind. At least, ever since Eden's slothful couple was served with an eviction notice, the scriptural precept was never doubted, not out loud. No matter how demeaning the task, no matter how it dulls the senses and breaks the spirit, one must work. Or else.
Lately there has been a questioning of its "work ethic" especially by the young. Strangely enough, it has touched off profound grievances in others, hitherto devout, silent, and anonymous. Unexpected precincts are being heard from in a show of discontent. Communiques from the assembly line are frequent and alarming; absenteeism. On the evening bus, the tense, pinched faces of young file clerks and elderly secretaries tell us more than we care to know. On the expressways, middle management men pose without grace behind their wheels as they flee city and job.
Question:The second paragraph reveals that ________.

A. everyone is working hard


B. most people cannot get satisfaction from their work


C. people are robots


D. people are immortalized and remembered through their work

正确资料：B      满分：4  分
2.  I ____ asleep in the corner, for I remember nothing of what happened during the night.

A. might fall


B. must fall


C. must have fallen


D. can have fallen

正确资料：C      满分：4  分
3.  California-born and Stanford-educated, John Steinbeck gained prominence during the Great Depression of the 1930s as a novelist who combined themes of social protest with a benign view of human nature and a biological interpretation of human experience, a combination that gained him wide popularity and provided the basis for a career not only in fiction but also in journalism, the theater, and films.
John Ernst Steinbeck, Jr., was born in 1902, in the Salinas Valley, whose scenery, agricultural workers, and ne'er-do-well paisanos appear frequently in his fiction. His father was treasurer of Monterey County, and his mother was a former schoolteacher. Their library introduced him early to such standard authors as Milton, Dostoevsky, Flaubert, George Eliot, and Thomas Hardy. He was a contributor to the school newspaper, a varsity athlete, and president of his graduating class in high school, and he attended Stanford University sporadically between 1920 and 1925, majoring in English, but never finished the degree. He worked on ranches and on a road gang before trying futilely to establish himself as a writer during a brief stay in New York City in 1926, and he worked in a California fish hatchery and camped in the Sierras before publishing his first novel, Cup of Gold, in 1929. In those years he read D. H. Lawrence, Willa Cather, Sherwood Anderson, and particularly the novelists James Branch Cabelland, Hemingway with enthusiasm, but his perennial interests were the classics of Continental literature and the ancient historians.
In 1930 he married and moved to Pacific Grove, California, where his father provided a house and small allowance to support him. Two unsuccessful novels treating the enchantment of the American Dream and the cost of pursuing it (The Pastures of Heaven, 1932, and To a God Unknown, 1933) preceded his first successes, Tortilla Flat in 1935 and In Dubious Battle in 1936. The first was an episodic, warmly humorous treatment of a band of paisanos (a mixture of Spanish, Indian, and Caucasian strands). Their picturesque and shiftless ways, naive affection for their church, mystical appreciation of nature, and loyalty to their band are given the air of legend and likened to the tales of King Arthur's Round Table. The second deals with a strike among fruit pickers, its defeat by the landowners with their vigilantes, and the efforts of communist organizers first to organize the strike and then to exploit the workers.
Question:"Paisanos" means ________.

A. rich people


B. poor people


C. peasants


D. laborers

正确资料：C      满分：4  分
4.  To create a supercell, take a storm where wind speed increases with height, while wind direction veers; a situation in which updraughts and downdraughts within the thunderstorm can support each other's existence rather than cancel each other out. It is as winds blow into this turbulent region from three to five kilometers up that a low-pressure section of the storm may begin to rotate.
The rotation of this part of the storm (known as a mesocyclone) causes the air pressure to fall some more, prompting wind lower down to flow into the storm and speed up upwards. This creates a spinning updraught which high-level winds in the storm can boost in the same way that wind blowing across the top of a chimney does wonders for drawing up an open fire.
You're not yet looking at a tornado, though if you're watching this particular storm develop you might start looking for a getaway car —especially if the storm begins to change shape. When mid-to upper-level winds upwind of the storm encounter the supercell, some are forced to detour round it. They converge again downwind, moulding the storm clouds into an ominous anvil-shape in the process. But while some wind goes round the mesocyclone, some runs full square into this meteorological brick wall and is forced downward, creating a "rear flank downdraught" (RFD) which many experts believe is what makes or breaks a tornadic storm.
It's when an RFD tries to swing around the base of the storm, narrowing the area of wind flowing into the updraught and increasing its spin (in the same way figure skaters when their arms are pulled in) that you might want to get into your getaway car. If you're anywhere beneath whirling piece of meteorological give and take—a funnel cloud—you are in a bad, dangerous place known to stormchasers as "the bear cage". It's where, if the funnel cloud sticks around long enough for the updraught to touchdown on terra firma, you will find yourself on the inside of a tornado.
Question:What can be inferred from the third paragraph?

A. If an updraught is created, tornado appears.


B. A tornado comes into being when a RFD is created.


C. RFD is created if winds go round the mesocyclone.


D. When meeting supercell, winds will blow in all directions.

正确资料：B      满分：4  分
5.  Mary ____ in the garden when it began to rain.

A. was walking


B. walked


C. walking


D. had walked

正确资料：A      满分：4  分
6.  To create a supercell, take a storm where wind speed increases with height, while wind direction veers; a situation in which updraughts and downdraughts within the thunderstorm can support each other's existence rather than cancel each other out. It is as winds blow into this turbulent region from three to five kilometers up that a low-pressure section of the storm may begin to rotate.
The rotation of this part of the storm (known as a mesocyclone) causes the air pressure to fall some more, prompting wind lower down to flow into the storm and speed up upwards. This creates a spinning updraught which high-level winds in the storm can boost in the same way that wind blowing across the top of a chimney does wonders for drawing up an open fire.
You're not yet looking at a tornado, though if you're watching this particular storm develop you might start looking for a getaway car —especially if the storm begins to change shape. When mid-to upper-level winds upwind of the storm encounter the supercell, some are forced to detour round it. They converge again downwind, moulding the storm clouds into an ominous anvil-shape in the process. But while some wind goes round the mesocyclone, some runs full square into this meteorological brick wall and is forced downward, creating a "rear flank downdraught" (RFD) which many experts believe is what makes or breaks a tornadic storm.
It's when an RFD tries to swing around the base of the storm, narrowing the area of wind flowing into the updraught and increasing its spin (in the same way figure skaters when their arms are pulled in) that you might want to get into your getaway car. If you're anywhere beneath whirling piece of meteorological give and take—a funnel cloud—you are in a bad, dangerous place known to stormchasers as "the bear cage". It's where, if the funnel cloud sticks around long enough for the updraught to touchdown on terra firma, you will find yourself on the inside of a tornado.
Question:If you were caught by a tornado, which of the following statement is NOT right?

A. You must have been in "the bear cage".


B. It should have been the updraught that got you.


C. The funnel cloud must have kept running around.


D. The updraught should not have touched the ground.

正确资料：D      满分：4  分

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